If Royal Blood and Muse had a baby, it would sound like Nothing But Thieves. What we mean is that, with undertones of both those bands, they’re an incredibly talented bunch. In fact, ridiculously so. The Trinity Centre in Bristol is sold out and full of eager, rowdy music fans, ready to see what the UK’s next big thing has to bring.

 Showing the crowd abrasive guitar riffs that immediately juxtapose with soft melodies are Black Foxxes. Think Manchester Orchestra meets Brand New. Lyrically complex, deep in emotion and a cynical ethos that is apparent in their demeanour. Though traditionally emo, the exeter three-piece trigger nothing but empathy from watchers. 

Tristan Jane, Bassist of Black Foxxes

On the other hand, Sundara Karma fill the room with spritely indie hooks and a passion that can’t be duplicated. It’s clear that their musical career was initially intended purely as a creative outlet of feelings for themselves, but the relatable lyrics give their music accessibility and it’s what makes them such a likeable group.

It’s hard to tell if the high-decibel cheers are caused by the echoing of the venue’s church hall or if tonight’s crowd have such a huge extent of anticipation for Nothing But Thieves that they’re flooding the room and beyond with their excitement. Either way, the band have caught this infectious energy and powerfully open their set with Itch, inconspicuously sliding into the vibrant Painkiller.

Dom Craik, Guitarist of Nothing But Thieves

 There isn’t a huge amount of movement coming from tonight’s audience, but this is justified but the varying age ranges of the fans. A huge compliment – no one younger than 17 and rising all the way up to late 50s has their eyes on the Southend group, and this is only an indication of the longevity of the bands career. Instead, they’re given undivided attention and admiration, particularly for crowd-pleasers Wake Up Call, and Ban All The Music.

Singer, Conor Mason particularly flexes his impressive vocal chords during emotion-evoking Graveyard Whistling, falsetto filled If I Get High, and melancholic Tempt You (Evactio), leaving everyone in an internal battle of whether to be green with envy or just complete awe.

Nothing But Thieves have played the entire set with nothing but smiles on their faces. Those five genuine grins represent more than just gratefulness, but the vision of a promising future, consisting of sell-out area tours and festival headlines. It’s a realistic dream and it won’t be long before we witness it happen.